Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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David, Jacques-Louis
Helene Galitzine Study for 'Lady in blue' (mk35)

ID: 24928

David, Jacques-Louis Helene Galitzine Study for 'Lady in blue' (mk35)
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David, Jacques-Louis Helene Galitzine Study for 'Lady in blue' (mk35)


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David, Jacques-Louis

French Neoclassical Painter, 1748-1825 Jacques-Louis David is famous for his huge, dramatic canvasses of Napoleon and other historical figures, including Oath of the Horatii (1784), Death of Marat (1793) and The Sabine Women (1799). Early in his career he was a leader in the neoclassical movement; later his subjects became more modern and political. David was himself active in the French Revolution as a supporter of Robespierre and is sometimes called the chief propagandist for the Revolution; after the Reign of Terror ended he was briefly imprisoned for his actions. When Napoleon took power David became his court painter and created several grand canvasses of the Emperor, including the heroic Napoleon Bonaparte Crossing the Alps (1801) and the enormous Coronation of Napoleon and Josephine (1807). David also painted Napoleon in His Study (1812),   Related Paintings of David, Jacques-Louis :. | Woman in a Turban | Portrait of Jeanbon Saint-Andr | Allegory of the French People Offering the Crown and Sceptre to the King | The English Government | Head of the Dead Marat |
Related Artists:
William Parrott
English Painter, 1813-ca.1869
Guan Zuolin of Macao
painted Portrait of Captain Joseph Huddart in c. 1785
Lucas de Heere
1534-1584,Painter, tapestry designer, draughtsman and poet. He was probably trained by his parents. The suggestion that he became a member of the Ghent Guild of St Luke before 1540 was derived from an incorrect interpretation of the Guild records for 1574-5. Van Mander recorded that, as a boy, de Heere accompanied his father on his trips to the stone-quarries of the Meuse region, where he made topographical drawings. Lucas was sent to Frans Floris's studio c. 1555 or shortly before to complete his training, and he may have collaborated with his master on tapestry cartoons and stained-glass designs, although no cartoons or preparatory drawings survive. During this period de Heere also became noted as a poet in the local rhetoricians' chambers. His father's influence helped him to gain commissions in Ghent from 1555, and, according to Marcus van Vaernewijck (1568), he worked on new stained-glass windows for the St Janskerk in Ghent in the same year.






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